Resume

AUDIO ENGINEER

Skills

– Session Tracking/Set-up
– Mixing
– Multi-track Editing
– Sound Design
– Foley
– MIDI
– Sound-for-Picture
– Radio Commercials
– Soldering
Musician: Drums, Guitar, Ukulele & Keyboard

 
Equipment

  • Multi-track recording – Sony JH-24, Alesis HD-24
  • Multi-track production and editing – Pro Tools, Logic Studio, Propellerhead Reason, Soundminer
  • Recording consoles – SSL 9000-J, Digidesign Control/24 and Command|8
  • Mastering – Bias Peak, Waves Masters Plug-ins
  • Operating Systems – Mac OS X

Professional Experience

Sound Editor – Freelance New York, NY   (May 2012 – Present)

  • Doomsday Preppers: Season 2 (2012) – Assistant Sound Editor
  • Adam Richman’s Best Sandwich in America: Championship Finale (2012) – Assistant Sound Editor
  • Fish Tank Kings (2012) – Additional Sound Editor

Set Dresser – Brenwood Films LLC – CT (Nov. 2012 – Dec. 2012)

  • After the Fall

InternshipElectric Lady Studios – New York, NY (Sept. 2011 – June 2012)

  • Assisted with set-up of equipment and microphone for clients.
  • Performed recalls on SSL 9000-J series console.
  • Helped with equipment load-in and load-out.
  • Completed daily check of mic inventory.
  • Fulfilled routine intern duties.

InternshipRiverworks Recording – Dobbs Ferry, NY (Sept. 2011 – Dec. 2011)

  • Learned numerous audio plug-ins for Pro Tools 9 and Logic Pro 9.
  • Designed and implemented acoustic treatment for ISO booth.
  • Rewired and labeled both patch bay and Pro Tools rig.
  • Acquired different mic techniques for recordings.
  • Assisted in session set-up for Matt Noble.

InternshipDig It Audio – New York, NY (March 2008 – August 2009)

  • Teamed with experienced audio engineers to leverage Pro Tools recording and editing capabilities.
  • Designed sound for independent video game project and television commercial.
  • Created and recorded foley sound effects for indie film productions.
  • Assisted in ADR session set-up for chief engineer.

Audio Engineer Trainee – Recording Workshop (June 2007 – July 2007)

  • Trained in the use of popular audio production tools: consoles, multi-track recorders and a wide variety of professional microphones and signal processing devices.
  • Experienced in computer-driven audio production environments: multi-track production, editing and mastering.
  • Tracked sessions with bands that performed a variety of popular music styles.
  • Experience with all aspects of audio engineering and production: instrument miking, board operation, signal processing, session documentation, studio etiquette, artist relations and song/performance production.
  • Mixed sessions for music projects: managed aesthetic and technical concerns such as spectral balance, dynamics, imaging, and clarity.
  • Created sound for picture projects, game audio projects, and radio spots for advertising and short-format storyline.
  • Incorporated practical project workflow, 5.1 surround mixing, and output to DVD.

Projects

The Mary Trilogy (2008) – Assistant Sound Design
Writer’s Block (2008) – Assistant Sound Design (MITF Award Nominee)

Education

Mercy College – B.S. in Music Industry and Technology – Dobbs Ferry, NY (Sept. 2009 – May 2012) 3.5 GPA

  • Music Theory, Music Business and Music Production
  • MIDI Sequencing and Sound Reinforcement
  • Audio System Design and Installation

Recording Workshop – School of Audio & Music Production – Chillicothe, Ohio (June 2007 – July 2007)

  • Recording Engineering and Music Production Program (Certified)
  • Advanced Recording Engineering and Music Production Program (Certified)
  • NewTech Audio Production Program (Certified)

 

OSHA – 10-Hour Construction Industry Outreach Program (Certified)

 Aerial Lift Operator Training / Safety Awareness (Certified)

*Member of AES (Audio Engineering Society)

*References upon request

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